I arrange many scores for french horn ensemble, primarily of renaissance and baroque scores, which entail horn ranges far above the modern accepted concert F (top line treble clef). Since my score...
I do a lot of horn ensemble arranging (french horn) and find when playing back that anything above a notated G above the staff is silent. When I do such a score I write with the notes that the pla...
I make arrangements and transcriptions for horn ensembles and brass ensembles and in the baroque repetoire especially the "out-of-range" feature is highly annoying as its upper cutoff is too low wh...