Finale 27 on a M1 2020 Mac mini (OS 12) with dual monitors SmartScore 64 Pro, JW Plug-ins www.cantilenapress.com "The better the composer, the better the notation."
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The new update still doesn't retain the original position of all manually-placed fingering when one chooses the option "No" to updating automatic articulations, so extensive work would be required ...
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I agree completely that having to explain notation is generally a bad idea and often indicates a notational failure on the composer's part. And as you said, it may be necessary to explain it. Howe...
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I agree that obscure notation is generally not a good idea. But the large fermata is actually fairly self-explanatory when you see it in context. It means the same as a single note fermata but appl...
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Mike, large fermatas that cover more than one note are not common, but do occur in Mozart and Schubert and other composers. See: https://notat.io/viewtopic.php?p=100&hilit=fermata#p100
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I also got word from MakeMusic that they are "aware" of the problem. But, then, they have been aware of the problem for quite a while now according to previous reports.
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Is this the way this is usually done? I am more familiar with double stemming, or using small notes to show differences of this kind. If you are innovating, be aware that there might be confusion...
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I tried that, Mike, but with no success.
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I am having the same issue with Finale 27, that is the tuplet number can only be moved in a jerky imprecise way with the mouse. The arrow keys move the number normally. The same thing is being expe...
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Thanks, Mike. Finale 25 is working fine, other than the problem described, so Rosetta II must be in effect. I also notice a similar problem happening with certain operations in the Speedy edit win...
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Sections of the page or even the whole page is covered by a white rectangle when I use the tuplet tool in Finale 25 on an M1 Mac. A screen redraw restores the missing music. Is there any way to use...