Mac Finale, v27.4, Mac OS X 14.7.6 (Sonoma), iMac Apple M3, 24 GB RAM
I would use a staff style that changes the Staff Transposition from Eb transposition to D# transposition. That is: Add 1 to the {Interval}, and subtract 12 from the {Key Alter}. This means that...
In the Print dialog you can choose a scaling percentage. What can be confusing, is that there are 3 other scalings at play: - Page Scaling - System Scaling - Staff Scaling My guess is that the ...
Finale does seem to be able to do everything with a bit of persuasion and know-how!!!! If you ever manage to find something Finale can not do, please let us know.
Such a problem usually is specific to the hardware/computer/system. I suggest that you contact the folks in Customer Support, and let them sort it out.
I do not know. Try, and see whether it works. By The Way: There are already keyboard shortcuts for the Cross Staff plug-in (⌥⇣ and ⌥⇡). Also, there is a keyboard shortcut to the FinaleScript Pale...
You can not “avoid” double accidentals, but you can get rid of them after you have transposed: MIDI/Audio menu > Retranscribe
I do not understand why you extract parts. PrintMusic has linked parts. Why do you use extracted parts instead of linked parts? Since extracted parts are created from linked parts, you can not avoi...
In the Mac OS control panel Keyboard there is a chiclet for keyboard shortcuts. You can use that to program keyboard shortcuts in your programs, e. g. in Finale. NB: It is important that you spel...
1) When you use the dialog box Transposition, the key signature is not altered. 2) When you transpose chromatically, all intervals stay in un-altered size, measured in halfsteps. In Other Words: ...
Bumping the key signature change to measure 11 seems like a good idea (= fewer note accidentals).