John Garside
Finale 27, CFX (full), GPO5, Harps, GCPO, JaBB3, CaMB2, GIO, World. CakeWalk.
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They wrote the manual for GPO4 and 5, describing how it all works, so I would assume they know. It is well worthwhile downloading a copy of the GPO4 manual and reading the sections about the use of...
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Pizzicato strings are governed not by the expression controller but by MIDI note on velocity. Sorry, I'm no Finale expert but somehow one needs to program HP to take account of that. JohnG.
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You may need to upgrade your copy of the ARIA player to the latest version, I'm not sure which version of ARIA gets installed when you add JaBB3. https://store.makemusic.com/Downloads/Default.aspx?...
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Hi Vanessa, I haven't seen a private message yet, where should I look? If you want to learn a lot more about the use of Garritan libraries, then you will find a fairly ful set of tutorials in the h...
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To answer this you need to understand a little bit about how a computer based sample player works, in this case ARIA, and how it interfaces with the MIDI note playback being transmitted form the no...
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Hi Vanessa, Intreresting! I too, very recently, did the upgrade to Finale 26, but for me from 2012c. I went from GPO4 to 5 when 5 was announced back in Feb.'16. I've had GPO4 since late '09. All th...
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P.S. to look at the extras within GPO5, take a look at this page:- https://www.garritan.com/products/personal-orchestra-5/features-benefits/ Take a look through the various tabs to discover what's...
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Hi Vanessa, Thanks for the clarification. It was the "it sounds as C2" that was I particularly after. And the pizzicato C2 is the note that I discovered, whether in the keyswitch or separate pizz.,...
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Hi Vanessa, My pleasure. Actually I quite enjoy finding little faults (human errors) and trying to fix them. Let me add, before I'm misunderstood, that there are amazingly few that I've come across...
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Hi Vanessa, It seems you're quite right from what research I've done. (from a guy who plays a bit with the samples and SFZ files.) The sample it's playing seems to be in the wrong octave for the lo...