P.S. I do realize that key-switches are important, and they should be working! None the less, it might also be conductive to your workflow to consider using fixed variants of the instrument arti...
Other than the small group strings mentioned above, where key-switches in the notation version are not in the lowest octave, it all works here. I wish I could be more helpful, but difficult to as...
I see you're headed towards a different work-flow than I personally use for MIDI composition. That is perfectly OK, as there are many ways to use Cubase, with work-flow options galore. By all mea...
Here are the key-switches (as note number, and names/octaves for Cubase) for the Garritan Orchestral 'small ensemble' strings. I believe these should work with both the notation, and standard vari...
Be aware that there are two variants of each instrument in GPO5. The notation version, where each instrument name begins with the letter n: Most of these have the key switches starting with MIDI n...
CC7 (Master Volume) vs CC1 or CC11 (expression volume) It's true that one can use CC7 to change the volume at any time. Some MIDI file authors choose to simply set CC11 as loud as it will go (12...
Yes, attack strength is not quite the same as volume/amplitude when it comes to Garritan bowed strings, winds, and brass. "...and Volume (non-sustained instruments only)". I agree that for some ...
In studying the screenshot, I think the confusion may be that you are mistaking 'note velocity' for CC7 events. They are not the same. Note Velocity is part of a 'note' event. It represents how...
Here is an alternative method I often use. Instead of extracting the note-velocity I want a natural flow where notes get louder with higher notes, and softer with lower notes. So instead of extr...
Note, the MIDI Logic Editor can work on several tracks at a time! It's not limited to just one. So I could hold ctrl, or shift, and select several tracks at once, then right click one of the sel...