A technical question over Finale digital archiving.
I am responsible for the legacy of a distinguished composer. Many of his compositions are digital mac computer files, created in FINALE software, 2002 and some later versions.
My understanding is that these include digital files of both field recordings, music compositions in music notation, and also "playback" versions of some pieces (MIDI?).
Can anyone advise how these digital files should best be archived for both
(a) long term preservation and
(b) ready access?
In particular we do not really want to have to keep 20-year old mac computers, which are already obsolete, but at present seem to be the only way some of the files (Finale 2002) can be accessed, as current macs do not support the old software.
Advice appreciated.
6 comments
Date Votes